With his fantasy books selling by the million, he’ll be first choice for many a beach-read this summer. But the power behind ‘Game of Thrones’ provides depth as well as furious entertainment
By Ian Irvine

He says "A reader lives a thousand lives before he dies. The man who never reads lives only one."
The UK’s latest sensational fiction besteller is A Dance with Dragons.
In just over a week it has sold 30,000 copies in hardback. George R R Martin’s novel, the fifth (of a planned seven) in his series A Song of Ice and Fire, has been garnering rave reviews as well as huge sales – just like its predecessors. Altogether they have sold more than 15 million copies worldwide. Roz Kaveney, in her admiring review in The Independent, noted that “it is hard to accept that something that enormous and that popular can be as good as people tell you it is”. But it is. Jace Lacob observed in The Daily Beast that it was “Martin’s finest work yet, a taut and relentless masterpiece that reaffirms the reader’s obsession with the panoply of unforgettable characters that Martin has created, and the brutal, glittering, terrible world in which these novels are set”.
Time magazine included him in its 2011 list of the 100 most influential people in the world and has dubbed him “the American Tolkien”, which is true in the sense that Martin is writing an epic in the fantasy genre, but also misleading. The Lord of the Rings, for all its virtues, is a simple story of goodies vs baddies. By contrast, Martin’s fantasy world of Westeros is peopled by complex characters with complicated motivations. “I’ve always agreed with William Faulkner when he said that the human heart in conflict with itself is the only thing worth writing about,” Martin has said.
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