Readersforum's Blog

August 17, 2012

Orwell & “The Gramophone Mind”

Filed under: Today in Literature — Tags: , , , , , — Bookblurb @ 6:07 am
On this day in 1945, George Orwell’s Animal Farm was published. The book was delayed by the WWII paper shortage and very nearly a casualty of the war itself, either at the hands of German bombs or British politics. “The enemy is the gramophone mind,” he wrote in his preface to the book, “whether or not one agrees with the record that is being played at the moment.”

Click here to read the rest of this story

July 1, 2012

Why I Write: George Orwell’s Four Motives for Creation

By Maria Popova

“Sheer egoism… Writers share this characteristic with scientists, artists, politicians, lawyers, soldiers, successful businessmen — in short, with the whole top crust of humanity.”

Literary legend Eric Arthur Blair, better known as George Orwell, would have been 109 today. Though he remains best remembered for authoring the cult-classics Animal Farm and Nineteen Eighty-Four, he was also a formidable, masterful essayist. Among his finest short-form feats is the 1946 essay Why I Write (public library) — a fine addition to other timeless insights on writing, including Kurt Vonnegut’s 8 rules for a great story, David Ogilvy’s 10 no-bullshit tips, Henry Miller’s 11 commandments, Jack Kerouac’s 30 beliefs and techniques, John Steinbeck’s 6 pointers, and various invaluable insight from other great writers.

Orwell begins with some details about his less than idyllic childhood — complete with absentee father, school mockery and bullying, and a profound sense of loneliness — and traces how those experiences steered him towards writing, proposing that such early micro-traumas are essential for any writer’s drive. He then lays out what he believes to be the four main motives for writing, most of which extrapolate to just about any domain of creative output.

Click here to read the rest of this story

January 28, 2012

Salman Rushdie case shows importance of book festivals

Sir Salman Rushdie has been told he is the target of Mumbai assassins Photo: GETTY

After this week’s Salman Rushdie controversy, Hay director Peter Florence asks: who should literary festivals give a voice to?

There are two sides to what happened in Rajasthan last week, when Salman Rushdie pulled out of the Jaipur literary festival, after death threats that turned out to be dubious – and both sides are true. On the one hand, almost everything everybody did made an ugly situation worse. The nadir was reached when the decision was made that Rushdie could not appear even onscreen as a moving image. The next logical step would be to ban cartoons of him.

The flipside is that everyone involved won something. Nobody died, and in a country of extreme volatility the police will regard this as a blessed relief. Rushdie is now much more famous in India than he was this time last week. The government can say that they respect the values of the Muslim community in an electoral battleground where they need to win. And festival organiser Sanjoy Roy’s team can enjoy the notion that people across the world have now heard of a literary festival in Jaipur. Even the Imam and his extremist followers can claim they prevented a writer from visiting his homeland…

So is this the end of freedom of speech in the world’s largest democracy? Should India hang its head in shame? Follow the hashtags. The overwhelming response from the wry, unbullyable and free-thinking Indian tweeters is, more or less: It’s about time I got round to reading The Satanic Verses – if it gets people so engaged, it must be worth looking at.

Banning books doesn’t work. Not if you want people not to read them. It has never worked. Lady Chatterley, Madame Bovary, Harry Potter, The Golden Compass, Animal Farm, The Lorax, The Da Vinci Code, Catcher in the Rye… There’s a pattern here, and it’s a mystery that politicians are too stupid to see it.

Would it have been different at the Hay festival? Maybe. I hope so.

Click here to read the rest of this story

November 17, 2011

The best 100 closing lines from books

The best 100 closing lines from books

Our favourite last lines from literature

Don’t judge a book by its cover – instead, try and wait for the last line.

Following our massively popular and lovingly selected list of the 100 best opening lines from books, it’s now time for the closing lines to shine. Because, whilst the beginning of a book may get all the glory, it’s the ending that really stays with you. A vague last line casts a shadow over the entire novel, whereas a powerful and poignant one will keep you wondering for weeks to come.

From classics such as George Orwell’s Animal Farm to L. Frank Baum’s The Wonderful Wizard of Oz and Jung Chang’s Wild Swans, we’ve scoured the Stylist book shelf for the best closing lines (or, in some cases to give context, the best final few lines) ever written.

read more

Theme: Silver is the New Black. Blog at WordPress.com.

Follow

Get every new post delivered to your Inbox.

Join 264 other followers