Readersforum's Blog

June 5, 2012

Bad to the Bone: The Worst Children in Literature

By Scott Laming

Children can be innocent, inquisitive and the embodiment of hope.   But those characteristics make for boring stories.  Sometimes authors enjoy creating a fictional child that is just plain nasty. Draco Malfoy might be a bigot and a bully, but he’s rarely dull and is a vital ingredient in the Harry Potter novels. Roald Dahl’s Charlie and the Chocolate Factory would not be such a tasty read without greedy Augustus Gloop, bratty Violet Beauregarde and the spoiled Veruca Salt.

Draco, Augustus, Violet and Veruca are actually mild-mannered compared to some of the horrible children on this list. Authors have not restrained themselves from portraying children as utterly evil. And while these books are fiction, and human evil-doing is prevalent in literature, there is something especially unnatural and disturbing when the perpetrator is a child, as if it represents the perversion of innocence itself. Be warned, some of these books have the potential to be distressing, particularly for parents. Some of the young characters in this selection abuse, torture, murder and commit demonic acts with barely a second thought. David Seltzer even gave us a youthful antichrist, Damien from The Omen.

Pinkie Brown from Brighton Rock and Frank from The Wasp Factory are two examples of how evil characters can also be portrayed as extremely complex. Skilled authors can make the reader ponder the key question of why a child has become bad to the bone, while being so young.

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March 1, 2012

WBN authors’ recommendations revealed

 |By Charlotte Williams

Brighton Rock, The Moonstone and Oranges Are Not the Only Fruit are among the titles to be recommended by the World Book Night 2012 authors, with Stephen King’s recommendation of The Iron Will of Shoeshine Cats leading to its acquisition by Hodder imprint Mulholland Books.

An extract from the recommended titles will be included within the WBN edition of the matching title. WBN c.e.o. Julia Kingsford said: “Asking our World Book Night authors to recommend something seems like the perfect way to introduce new books and writers to readers, and encourage people to keep on reading.”

King, whose book Misery is among the WBN 2012 picks, selected The Iron Will of Shoeshine Cats by Hesh Kestin, which had not been published in the UK.

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August 31, 2011

Is the Screen Always Worse Than the Page?

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By Rachel Deahl

The critics have been rather unkind towards One Day (unfairly so, if you ask me), but all the hullabaloo about the tepidly-received adaptation of David Nicholls’s novel has made a favorite parlor game bubble to the surface: can movie versions of books ever compare to the original? (At NyMag.com many fans are talking about books that Hollywood shouldn’t touch;  The Atlantic took One Day as an opportunity to discuss some of the eternal problems with romance on screen.)

As Slate critic Dana Stevens noted in her (mostly positive reviews) of the current Graham Greene adaptation, Brighton Rock, there is “some pretty robust evidence” proving great literature does not usually become great films. Of course, as Stevens then goes onto explain, Graham Greene, and this thriller in particular, has proven unusually fertile ground for many filmmakers.

For awhile I had a theory that literary novels were the toughest to translate to film. Genre works—a dicey and tricky description in and of itself—were the way to go. This, I assumed, accounted for the fact that so many of my favorite science fiction films are based on Phillip K. Dick novels (Blade Runner, Minority Report, Total Recall); that a few of my favorite Hitchcock novels are based on Daphne Du Maurier works (Rebecca and The Birds); and that Anthony Minghella, a director who is no stranger to turning popular, bestselling literary works into films, was at his best working off of a Patricia Highsmith novel, with The Talented Mr. Ripley.
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