19.05.11 | Lisa Campbell
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Readers are being called to cast their vote for the Independent Booksellers’ Book Prize winner, after the shortlist was announced today (19th May).
The annual award, which recognises works of fiction for adults and children, requires members of the public to choose which one of 10 adult and 12 children’s titles they think deserves to be crowned.
Titles were selected by a judging panel of independent booksellers from nominations put forward by publishers. Shortlisted adult titles include Edmund de Waal’s The Hare with Amber Eyes (Vintage) and Helen Dunmore’s The Betrayal (Fig Tree). Nominations in the children’s category include The Dead by Charlie Higson (Puffin) and The 13 Secrets by Michelle Harrison (Simon & Schuster).
'Emperor's clothes' ... Philip Roth (left), in the opinion of Carmen Callil (right). Photograph: Reuters/Rex
Carmen Callil retires from panel after decision to give award to writer whose work she considers a case of ‘Emperor’s clothes’.
By Alison Flood
Author and publisher Carmen Callil has withdrawn from the judging panel of the Man Booker International prize over its decision to honour Philip Roth with the £60,000 award. Dismissing the Pulitzer prize-winning author, Callil said that “he goes on and on and on about the same subject in almost every single book. It’s as though he’s sitting on your face and you can’t breathe”.
One of three judges on the panel for the literary award, alongside rare book dealer and author Rick Gekoski, who acted as chair, and novelist Justin Cartwright, this morning Callil revealed that, after the decision was made to give the prize to Roth from a shortlist which also featured Philip Pullman, Anne Tyler and Marilynne Robinson, she decided to retire from the panel.
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Displaying Orwellian attributes aplenty Tom Bingham’s The Rule of Law and Afsaneh Moqadam’s Death to the Dictator! were my top picks when judging this year’s Orwell book prize.
By Will Skidelsky
How much of an influence does George Orwell have on books being written today? Over the last few months, while judging this year’s Orwell book prize, I’ve found myself repeatedly asking this question. While the prize doesn’t require writers to slavishly imitate Orwell, it does stipulate that successful entries must display a number of Orwellian attributes, such as “clarity”, “intellectual courage” and “critical thought”. Above all, works should aspire to Orwell’s ambition of “turning political writing into an art”. So the question of Orwell’s continuing influence, rather than idle speculation, was integral to the judging process. We were being asked to hold today’s political writing up to an Orwellian standard, and assess it accordingly.
By Joshua Walovitch
Gary Shteyngart’s “Super Sad True Love Story,” just out in paperback, takes place in a future where sexuality trumps human intellect and Americans are inseparable from their smartphones.
Shteyngart reads excerpts from his blackly comic novel Wednesday at the Brattle Theatre in Cambridge.
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The Russia-born author’s combination of storytelling, satire and humor landed him on The New Yorker’s “20 under 40” list of best fiction writers. “Super Sad True Love Story” was named one of 2010’s 10 best books by The New York Times [NYT] Book Review and Time magazine.
How does it feel to have your widely rejected manuscript become a best-selling, prize-winning novel, then a book-club favourite and now the toast of the Cannes film festival? The author of We Need to Talk About Kevin explains :
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It has now entered the cultural canon that, on completion in 2001, the manuscript of Lionel Shriver’s seventh novel was widely rejected by publishers and literary agents alike. In retrospect, this incidental fact being widely known is alone a little weird. After all, every day writers numbly receive curt, dismissive rejections of work they’ve slaved over for years. Writers should have some grasp of publishing’s brutality, and this morose process of having your beloved creations stepped on and pissed over comes with the territory. Hence people in my occupation are routinely expected, as Kevin would say, to suck it up.
Sorry, did I say “Kevin”? That’s what’s truly weird: the large number of fiction readers who know exactly who Kevin is, and that number is set to swell once a cinema audience joins the mix. Yet “Kevin Katchadourian” is just a name I picked after combing through the phonebook on an ordinary afternoon.
17.05.11 | Lisa Campbell
Quercus has been crowned 2011’s best publisher at The Bookseller Industry Awards, as Sainsbury’s scooped the Bookseller of the Year award.
Quercus was presented with the Bonnier Publishing Publisher of the Year Award at the black-tie event attended by around 600 people in London’s Park Lane Hilton yesterday evening (16th May) after experiencing 100% growth in the past 12 months to become the 11th largest publishing house in the UK. One judge said: “They’ve got the numbers, the people and the energy. I admire them, and their achievements.”