“An updated notion of genius would have to center around one’s mastery of information and its dissemination.”
“And your way, is it really YOUR way?,” Henry Miller famously asked. “Substantially all ideas are second-hand, consciously and unconsciously drawn from a million outside sources,” Mark Twain consoled Helen Keller when she was accused of plagiarism. Even our brains might be wired for the necessary forgettings of creativity. What, then, is the value of “originality” — or even its definition?
A recent interview on The Awl reminded me of a wonderful book by Kenneth Goldsmith — MoMA’s first poetry laureate, founder of the massive grassroots audio archive Ubu Web, and professor at my alma mater, UPenn’s Kelly Writers House — titled Uncreative Writing: Managing Language in the Digital Age (public library; UK). Much like Vannevar Bush did in 1945 when he envisioned the future of knowledge and presaged the value of what he poetically termed “trail blazers, those who find delight in the task of establishing useful trails through the enormous mass of the common record,” Goldsmith examines the importance of sorting existing ideas and makes a case for the cultural value of stealing like an artist, particularly as we’re building our new literary canon.
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