By Antoine Wilson
The first-person narrator descends from the ancient storyteller unspooling his tale around the fire for the delight and edification of his people. But on the page, two things transform him. One, we readers can ask “Who is this speaker? Why is he telling us this story, and what isn’t he telling us?” Two, he can go on as long as he wants. The first case invents the so-called Unreliable Narrator, the second gives rise to what I like to call the World Swallower.
Whether insane, overheated, strung-out, or merely young and naïve, Unreliable Narrators always deliver more than their characters intend to. Comic or tragic, serious or absurd, they can tell just about any story while also reflecting our capacity for self-deception, our limited sliver of knowledge about the world, and the limits of language itself.
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